Diana G. Gallagher’s “Prime Evil” (March 2000) is a game-changer for the “Buffy” book series – not because it’s significantly better than other books (although
“Lady Bird,” now available from Redbox, didn’t totally connect with me, and since the glowing theatrical reviews and awards are long since in, that statement
After the often credulity-stretching “Obsidian Chamber” (2016), Douglas Preston and Lincoln Child get back on track with “City of Endless Night” (January, hardcover), their 17th
“Everything Sucks!” (Netflix), the first season of which includes 10 half-hour episodes, starts off like a second-rate “Freaks and Geeks” but eventually strikes painfully accurate
“Score: A Film Music Documentary” almost seems like it’s cheating. Its score – by the very definition of the subject matter – is the greatest
Can you believe the Oscars are nearly upon us? With the big show coming up in less than 24 hours, what better time to take
I went into “Only the Brave” (2017) pretty blind. I think I saw one trailer, but seeing the actors starring in the film (Josh Brolin, Jeff Bridges,
This week, “Atlanta” (10 p.m. Eastern Thursdays, FX) began its second season of being about nothing and everything. The episode “Alligator Man” opens with two
A bizarrely specific subgenre of horror has gotten a lot of play in recent years: Ouija-board horror. The two films officially sanctioned by the Warner Brothers
Laura Anne Gilman and Josepha Sherman, who showed promise with their first “Buffy” YA novel, “Visitors,” step up slightly with “Deep Water” (February 2000), although