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In Pratt’s ‘Tomorrow War,’ war is hella awesome

A military woman in “The Tomorrow War” (Amazon Prime) tells a new draftee why they haven’t released photos of the alien invaders to the public.

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At 50, Roundtree’s ‘Shaft’ (1971) is still a cool cat

If nothing else, “Shaft” (1971) – which led to four sequels and a TV series – has style. Director Gordon Parks opens on Richard Roundtree’s

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‘13th Warrior’ (1999) a mellow take on ‘Eaters of the Dead’

“Eaters of the Dead” (1976) took the longest of any Michael Crichton novel to be adapted to film, likely because it’s the least commercial. But

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Odenkirk’s ‘Nobody’ is somebody worth watching

Bob Odenkirk’s Saul Goodman finds clever ways out of scrapes. He’s not wired to fight back physically or with gunfire. At first blush, “Nobody’s” Hutch

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Besson’s ‘Fifth Element’ (1997) an art-design paradise

“The Fifth Element” (1997) requires a pact with the audience that they’ll be up for something stylistically and tonally different from the average SF space

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Crichton’s ‘Scratch One’ (1967) a too-tangled web

“Scratch One” (1967), the second of Michael Crichton’s eight John Lange novels, starts slowly and without direction. I thought I’d have to make a tough

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‘Awake’ a woke but tired spin on the apocalypse

“Awake” (Netflix) has one of those premises that could turn out ingenious or stupid, but it unfortunately leans more toward the latter. In an unneeded

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Adventurous ‘Lost in Space’ (1998) updates 1960s series

I have a soft spot for “Lost in Space” (1998). In retrospect, it’s neat how long “Titanic” stayed at No. 1 at the box office, but

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Bay’s ‘The Rock’ (1996) is deliciously dumb fun

“The Rock” (1996) might not be a good film in any objective sense of the term (although it was nominated for a Best Sound Oscar),

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Creepy new dino highlights ‘Camp Cretaceous’ Season 3

When the “Jurassic Park” toy line released “Chaos Effect” figures back in the day, I thought “Why not make more actual dinosaurs?” What Mother Nature

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