After far too long a wait, the Marvel Cinematic Universe’s big-screen diversity push finally gets to its solo movie about the lone female Avenger, “Black
Surprising for a science fiction author, Michael Crichton wrote about the past (“The Great Train Robbery,” “Eaters of the Dead,” “Pirate Latitudes,” “Dragon Teeth”) a
“The Sixth Sense” (1999) and the films in its immediate wake are crisply written to the point where even if you don’t buy into every
Two late-20th century icons’ paths cross in “Timeline” (2003), director Richard Donner’s film based on Michael Crichton’s 1999 novel. The screenplay is faithful enough to
A military woman in “The Tomorrow War” (Amazon Prime) tells a new draftee why they haven’t released photos of the alien invaders to the public.
If nothing else, “Shaft” (1971) – which led to four sequels and a TV series – has style. Director Gordon Parks opens on Richard Roundtree’s
“Eaters of the Dead” (1976) took the longest of any Michael Crichton novel to be adapted to film, likely because it’s the least commercial. But
Bob Odenkirk’s Saul Goodman finds clever ways out of scrapes. He’s not wired to fight back physically or with gunfire. At first blush, “Nobody’s” Hutch
“The Fifth Element” (1997) requires a pact with the audience that they’ll be up for something stylistically and tonally different from the average SF space
“Scratch One” (1967), the second of Michael Crichton’s eight John Lange novels, starts slowly and without direction. I thought I’d have to make a tough