Comedy

‘Pieces of April’ (2003) a harsh, sweet tear-jerker

A near-perfect movie about an imperfect family, “Pieces of April” (2003) could serve as a template for how to make a low-budget film. Writer-director Peter Hedges,

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‘Dutch’ (1991) focuses on characters, not laughs

John Hughes’ other Thanksgiving movie, “Dutch” (1991), has that “other” status for a reason: It’s not as funny as “Planes, Trains and Automobiles” (1987). However, as

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‘Teenage Mutant Ninja Turtles’ (2014) takes some getting used to

I’ve probably seen the original “Teenage Mutant Ninja Turtles” more than any other movie (granted, most of those viewings were from 1990-92). That film is

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Gilpin is great, but ‘The Hunt’ is unpolished

I liked “Cabin in the Woods” (2011), but I’m uncomfortable with how it has risen to classic status in the horror genre. Wild genre shifting and

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Candy, Martin shine in ‘Planes, Trains and Automobiles’ (1987)

If we started a debate over the greatest Christmas movie, it could go on until New Year’s, but “greatest Thanksgiving movie” is easier: It’s “Plains,

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Anya Taylor-Joy’s ‘Emma’ is beautiful but uneven

I’m not the target audience for “Emma,” but given how good Anya Taylor-Joy is in everything – most recently, TV’s “The Queen’s Gambit” – I figured

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‘Midnight Run’ (1988) propelled by De Niro, Grodin

“Midnight Run” (1988) is a classic not-too-serious road actioner featuring tough guys and tough talk. You can watch it without feeling queasy aftereffects, despite its

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‘She’s Having a Baby’ (1988) doesn’t know what it wants

John Hughes gets a little dark in “She’s Having a Baby” (1988), his sixth entry as a writer-director. Stuck between the well-trod tropes of high

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‘Barjo’ (1992) wryly adapts ‘Confessions of a Crap Artist’

In a cosmic coincidence, Philip K. Dick’s depressive yelling-into-a-void rants that make up his wonderful midcentury California novels share common ground with the comedic sensibilities

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‘Nate and Hayes’ (1983) swashbuckles to South Pacific

“Nate and Hayes” (1983) was probably not a passion project for John Hughes – who co-writes the screenplay with David Odell (“Supergirl”), from a story

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