Comedy

‘Fighting with My Family’ is a fairly lightweight biopic, but Florence Pugh is a champion in the main role (Movie review)

“Fighting with My Family” doesn’t redefine the sports biopic genre, which in a way is too bad because professional wrestling is such an unusual thing,

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‘iZombie’ Season 5 aims to continue delicate balance

Last season, when “iZombie” constructed its new reality wherein the U.S. government and the Fillmore Graves corporation team up to keep zombies and humans behind

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‘Can’t Hardly Wait’ (1998) is a generation’s graduation party

There are ’90s teen movies with more shock value, but “Can’t Hardly Wait” (1998) is the one I point to as the “American Graffiti” of

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‘Bad Boys II’ (2003) both funnier and stupider

The most fun-to-watch (and possibly the most fun-to-make) parts of “Bad Boys” (1995) are the action sequences, and that’s again the case in the sequel.

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The top 100 ‘Crazy Ex-Girlfriend’ songs, ranked

“Crazy Ex-Girlfriend” recently wrapped an amazing four-season run with Rebecca Bunch (co-creator Rachel Bloom) deciding to pursue love – as in her love of writing

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‘Bad Boys’ (1995) gets by on sheer will of Smith and Lawrence

“Bad Boys” (1995) is one of those movies that all my friends watched 100 times (or at least parts of it 100 times) back when

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DCEU lightens up with funny ‘Shazam!’

There’s something to be said about B-list superheroes. The average moviegoer (who doesn’t have a doctorate in comic-book lore) has lower expectations, and we also

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‘Wag the Dog’ (1997) a searing satire of a presidential scandal

Writer David Mamet – with Barry Levinson directing – switches his focus from the small cons of “House of Games” and the like to the

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‘Things Change’ (1988) too understated to be a wild romp

With his directorial follow-up to his noteworthy debut “House of Games,” David Mamet takes a step back with “Things Change” (1988). It does have twists

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Peter Farrelly’s ‘Green Book’ a sweet story of friendship against backdrop of mid-century American racism (Movie review)

Writer-director Peter Farrelly smooths out the excesses of his filmmaking traits for the surprisingly mainstream and easy-to-like “Green Book” (2018), now back in theaters and

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