Comedy

This is how it is in suburbia: ‘American Beauty’ still does 1999 proud

“American Beauty” (1999) shoulders the weight of being the chosen representative as the best movie of the best year in cinema history. It won the

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‘Venom: The Last Dance’ (2024) a sweet friendship story

The Sony branch of the Marvel multiverse has been a punchline as much as it’s been a line of movies, but the bright spot has

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Fun-loving filmmakers invite audience along for ‘EuroTrip’ (2004)

As comedies disappeared from theaters during the PC era of the past 10-15 years, some throwaways from the period before that gained stature. A prime

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Westlake’s ‘Jimmy the Kid’ (1974) and the ‘fiction vs. reality’ conundrum

Donald E. Westlake (1933-2008) wrote more than 100 novels, so it’s no wonder he desired to have some fun and mix things up. Attacking the

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Cute ‘Freaky Friday’ (1976) leads to even better 2003 remake

When “Freakier Friday” hits theaters, it will be a sequel to the 2003 version of “Freaky Friday,” which remade the original (1976), which itself had

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‘King of Comedy’ (1982) an engrossingly awkward satire of showbiz

“The King of Comedy” (1982) is a rather simple tale of two unhinged people – Rupert Pupkin (Robert De Niro) and his friend Masha (Sandra

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‘It’s a Boy Girl Thing’ (2006) tackles the double empathy problem with laughs

“It’s a Boy Girl Thing” (2006) could perhaps be an honorary member of that batch of Shakespeare-inspired teen films from the early 21st century. That

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‘Pulp Fiction’ (1994) ingeniously makes the whole film into a maguffin

Considering that Quentin Tarantino isn’t a fan of Alfred Hitchcock (instead preferring filmmakers who took Hitch’s baton), it’s ironic that “Pulp Fiction” (1994) is Tarantino’s

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‘Companion’ and the shame of trailers telling the whole story

With roles in several horror-thriller films and TV, Sophie Thatcher (“Yellowjackets,” “Heretic”) seems here to stay as a new star, and “Companion” might be her

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In ‘One, Two, Three’ (1961), Wilder knows the ABC’s of good comedy

“One, Two, Three” (1961) is a good showcase of what writers Billy Wilder and I.A.L. Diamond can do with quick-hitting language. Though it is stagier

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