- John Hansen
- February 8, 2017
‘The Mindy Project’ has a place among the great workplace sitcoms (TV review)
Sitcoms aren’t usually the best genre to binge-watch, as they tend to not have the dramatic stakes or surprises that make you want to jump
Sitcoms aren’t usually the best genre to binge-watch, as they tend to not have the dramatic stakes or surprises that make you want to jump
“Powerless” (8:30 p.m. Eastern, Thursdays, NBC) – about ordinary people living in a superhero world – taps into an inevitable genre of humor in the peak
“The Edge of Seventeen” is the latest entry in the “teenage girls who are so obsessed with their dream of a perfect life that they make
“No Tomorrow” (9 p.m. Tuesdays on The CW) has an out-there premise similar to “Last Man on Earth” and “The Good Place.” Awkward, pretty Evie (“The
Exhibit A in the case that network TV is dying is the bevy of reboots that no one asked for, and Exhibit B arrived Monday
I put off sampling the first hour of “Atlanta” (10 p.m. Tuesdays on FX) for a couple weeks because I knew I’d have a tough time watching
So I’ve finished my rewatches of all the Joss Whedon series between 1997-2010 except one – and it’s the most unusual one. “Dr. Horrible’s Sing-Along Blog” (2008)
Whereas “Bad Teacher” and “Bad Santa” played up the jokes in their titles – wouldn’t it be funny if a teacher or a Santa was
“Mike and Dave Need Wedding Dates” takes a clever premise, casts the right actors and peppers the narrative with solid gags for an hour and a
“Roadies” (10 p.m. Eastern Sundays on Showtime), the new series from Cameron Crowe, feels a little more like “Studio 60 on the Sunset Strip” or “Love