- John Hansen
- January 26, 2021
Hughes’ ‘Baby’s Day Out’ (1994) crazily mixes tones
Admittedly, I don’t watch a ton of movies with a baby in the lead role, but I gotta assume “Baby’s Day Out” (1994) – despite
Admittedly, I don’t watch a ton of movies with a baby in the lead role, but I gotta assume “Baby’s Day Out” (1994) – despite
When committing to do a series reviewing every entry in a writer’s catalog, I know there are gonna be some duds to slog through, and
Writer-director Miranda July’s “Kajillionaire” (2020) exists a half-step away from reality, always unapologetically weird but at the same time heartrendingly true. It’s a more delicate
Two John Hughes staples – animals and pratfalls – are on display in his original, clunky-but-likable “Beethoven” (1992) and his slick live-action adaptation of “101
“Cobra Kai,” which recently dropped its 10-episode third season on Netflix (after two years on YouTube Premium), has come along at a perfect cultural intersection
“Career Opportunities” (1991) is an often likable but ultimately unfocused entry in writer John Hughes’ oeuvre. Like the two armed robbers being distracted by Josie
Because of the reputation that the “Home Alone” films precipitously drop off in quality after part two, I had low expectations for director Raja Gosnell
Everyone gets along merrily in “Last Christmas” (2019), director Paul Feig and co-writer Emma Thompson’s holiday trifle inspired by the bittersweet George Michael song of
John Hughes wrote five Christmas or Thanksgiving films between 1987-92, but with their adult humor and – in the case of the “Home Alones” —
A cut above the typical Christmas flick shoveled out by streaming and cable, “Happiest Season” (Hulu) is a heartfelt and impressive breakthrough from director/co-writer Clea DuVall