We think of Douglas Preston as a best-selling thriller novelist, but his roots are in journalism, and he is still a practicing journalist. His earliest
“Superheroes Decoded,” a two-episode History Channel documentary from 2017, isn’t what I thought it would be. But it turns out to something good: The definitive
“Batman & Bill” (2017, Hulu) is about the fight to correct one of the great injustices of early comic book history – the omission of
The Oscars are expanding the 2020 movie year by two months in order for more films to get released and compete for statuettes. That’s a
Douglas Preston starts his fiction-writing career with a novel that’s almost unrecognizably his own, when viewed from the lens of a quarter-century of imaginative sci-fi
I’m not a huge connoisseur of courtroom dramas about wrongfully accused defendants, similar to why I don’t like war movies. I already know war is
I’m not the target audience for “Emma,” but given how good Anya Taylor-Joy is in everything – most recently, TV’s “The Queen’s Gambit” – I figured
Archaeologist Nora Kelly enters the pantheon of Douglas Preston and Lincoln Child’s heroes in “Thunderhead” (1999), an early and still great example of their Southwestern
With “The Haunting of Bly Manor” (Netflix) – his spiritual (pun intended) sequel to 2018’s “The Haunting of Hill House” — Mike Flanagan continues to
“Riptide” (1998) is one of the few Douglas Preston & Lincoln Child books to not feature characters who appear elsewhere, but it shouldn’t be overlooked.