Samuel L. Jackson

‘Marvels’ (2023) is rather fun despite being indecipherable

The Marvel Cinematic Universe has achieved a weird semi-success, semi-failure with Captain Marvel (Brie Larson), introduced in “Captain Marvel” (2019) and getting her second showcase

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‘Pulp Fiction’ (1994) ingeniously makes the whole film into a maguffin

Considering that Quentin Tarantino isn’t a fan of Alfred Hitchcock (instead preferring filmmakers who took Hitch’s baton), it’s ironic that “Pulp Fiction” (1994) is Tarantino’s

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‘True Romance’ (1993) a violent fairy-tale love story

As Quentin Tarantino gained buzz as the Gen-X auteur in the mid-’90s, “True Romance” (1993) was his secret film among my high school classmates. Everyone

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‘RoboCop’ (2014) drops the satire for slick, familiar sci-fi

“RoboCop” (2014) is the definition of a thankless task. Director Jose Padilha and writer Joshua Zetumer do a workmanlike job but aren’t able to make

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‘Deep Blue Sea’ (1999) a smart actioner about smart-sharks  

Sometimes I look at my old reviews and cringe. When I listened to a “How Did This Get Made?” podcast episode ripping into “Deep Blue

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‘Sphere’ (1998) takes its place among sci-fi mind-benders

It’s been more than 20 years now, so I guess “Sphere” (1998) won’t become a cult classic. But darn it, it should have. This Michael

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‘The Other Guys’ (2010) skewers action excesses

“The Other Guys” (2010) takes place entirely within the world of shoot-’em-up action movies, so it’s hard to take it too seriously – except that,

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‘Die Hard with a Vengeance’ (1995) spices up proven formula

“Die Hard with a Vengeance” (1995) makes it three-for-three in the John McClane action franchise. We get what we come for: McClane (Bruce Willis) gets

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‘Long Kiss Goodnight’ (1996) gets overblown toward end

After launching the “Lethal Weapon” franchise – still going strong to this day — in 1987, Shane Black shifted to writing one-off movies, but he

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‘The Spirit’ (2008) a weak imitation of ‘Sin City’

I love the two “Sin City” films (2005, 2014), so the existence of “The Spirit” (2008) is both good and bad. On one hand, it’s

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