Douglas Preston has ended some of his novels in crazy fashion, and he starts “Extinction” (April, hardcover) in crazy fashion on page one. People are
“Abbott and Costello Meet the Invisible Man” (1951) is first and foremost a boxing movie. Admittedly, it’s also slapstick. It’s a detective show. And –
Imagine Christopher Lloyd’s chalkboard-charted time-travel from “Back to the Future” cleanly plotted out on a sheet of paper. Now imagine that paper folded in half,
Some sexbot films avoid discomfort with camp and a few laughs. Others confront the discomfort head-on and reveal the wrongfulness of sex toys – especially
Prime Video’s “Space Cadet” is like “Legally Blonde” with law students replaced with astronauts-in-training. It also recalls “Private Benjamin.” Or perhaps it’s a comedic “Top
The farther back in time I go with a throwback review, the more awkward it becomes as I must acknowledge a work’s place in history
Platinum Dunes goes against its reputation as an IP-cash-in studio with “A Quiet Place: Day One,” a prequel that’s the best and most heartfelt of
“Spaceballs” (1987) is funny from start to finish, connecting on a high percentage of jokes and generally having an appealing sense of humor to carry
Ten films in, and the “Planet of the Apes” saga is still worth going ape for. Wes Ball, director of the “Maze Runner” films, brings
Surprising for a nationalistic era in human history, 2023 saw the release of two World War II films that aren’t particularly complimentary toward their source