Director/co-writer Harold Ramis and actor Bill Murray continue their march from “Meatballs” to “Ghostbusters” with “Caddyshack” (1980), which itself is considered a comedy classic. Should
“Zelig” (1983) initially seems to be a case of one joke – that Leonard Zelig (Woody Allen) has chameleon abilities that allow him to blend
“Meatballs” (1979), one of the rare summer-camp movies I’ve seen where no one gets killed, marks the first collaboration between director Ivan Reitman and star
“A Midsummer Night’s Sex Comedy” (1982) is a good example of how Woody Allen’s B-game is better than most writer-directors’ B-game, but it also makes
Finally delivering a sequel after 12 years and a detour to the big-time success of 1982’s “Poltergeist,” Tobe Hooper directs Cannon Films’ “The Texas Chainsaw
From the early shot of Bill Murray’s Bob Harris riding through Tokyo in a cab while Girls’ “Death in Vegas” plays, “Lost in Translation” (2003)
Woody Allen isn’t known as a commercial filmmaker, but “Manhattan” (1979) is – at least at first blush – an example of giving people what
“Sleepaway Camp” (1982) is a cult classic with mesmerizingly stiff direction, editing and acting that leads up to one of the most famous final-frame twists
Appearing to be dour and grim in the fashion of Russian tragedies, “Love and Death” (1975) wasn’t at the top of my stack of Woody
Thirty-three years after “Coming to America,” Eddie Murphy, Arsenio Hall, Shari Headley and nonagenarian James Earl Jones still look great. But writers Barry W. Blaustein