“Coming to America” (1988), from the height of Eddie Murphy’s comedic powers, has returned to the spotlight thanks to the upcoming release of the sequel
Because of its Oscar and place at the top of many “Best of Woody Allen” lists, 1977’s “Annie Hall” is often seen as an entry
“She’s All That” was all that in January 1999, and I recall being peeved by the film for being a generic teen message movie that
“Bananas” (1971) is an early calling card of Woody Allen’s oeuvre (although he co-writes with Mickey Rose) as it’s driven by snort-worthy off-the-cuff lines about
Woody Allen makes a creative directorial debut (he was only the writer on his previous credit, 1965’s “What’s New Pussycat?”) with “What’s Up, Tiger Lily?”
“Hannah and Her Sisters” (1986) takes a sometimes absurd but ultimately realistic view of human behavior as it chronicles a period encompassing three Thanksgivings of
“Freaky” has slasher-flick moments and it has comedic moments, but never at the same time, leading to a patchwork hybrid that always feels like a
On three occasions, John Hughes used the pseudonym Edmond Dantes when he felt the film represented other people’s work more than his own. It doesn’t
“Love and Monsters’ ” cast and crew are filled with people who have done apocalypses before, so perhaps having gotten the doom and gloom out
As a kid, I knew “Annie Hall” (1977) as the movie that beat “Star Wars” for Best Picture, so I vaguely hated the movie without