Science Fiction

P&C plant their feet in Florida for ‘Crooked River’

Douglas Preston and Lincoln Child write what they know, which is no doubt why “Crooked River” (February, hardcover) is their second-straight book set in Florida,

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Lee’s ‘Hulk’ (2003) is as slow and boring as I remembered

Sometimes comic-book yarns are just comic-book yarns, and can’t be molded into something bigger and better through technical mastery. We know this because of director

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‘Cabinet of Curiosities’ (2002) goes back to the museum

Douglas Preston and Lincoln Child hit a turning point with their third Pendergast novel, “The Cabinet of Curiosities” (2002), their only book other than “Relic”

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‘Darkman’ (1990) is Sam Raimi’s DIY superhero

It’s hard to believe now, but in 1990, director Sam Raimi (the “Evil Dead” trilogy) couldn’t get any superhero property to let him make it

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‘V for Vendetta’ (2006) a gorgeous revolution

When I saw “V for Vendetta” in theaters in 2006, having gone in mostly cold, it washed over me like a new, surprising experience. Although

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‘Crack in Space’ (1966) tackles elections, multiverses

“The Crack in Space” (written in 1963, published in 1966) is an unusually earnest novel from Philip K. Dick, who tackles American race relations through

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P&C sail into high-seas terror in ‘The Ice Limit’ (2000)

Douglas Preston and Lincoln Child take their first excursion beyond the USA, and it’s a memorable one, in “The Ice Limit” (2000). When I think

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‘Screamers: The Hunting’ (2009) a redundant trek

With the sequel “Screamers: The Hunting” (2009), we get further away from the Philip K. Dick source material adapted into 1995’s “Screamers”: the 1953 short

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‘Thunderhead’ (1999) shows thrills, scares of the West

Archaeologist Nora Kelly enters the pantheon of Douglas Preston and Lincoln Child’s heroes in “Thunderhead” (1999), an early and still great example of their Southwestern

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‘Blade Runner’ shorts (2017) ease us back to neon streets

“Blade Runner 2049” (2017) is largely an exercise in returning to the world of “Blade Runner” rather than significantly expanding the narrative. No surprise then

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