Science Fiction

‘Teenage Mutant Ninja Turtles: Out of the Shadows’ (2016) opens toy box

In “Teenage Mutant Ninja Turtles II: The Secret of the Ooze” (1991), the cartoon’s Bebop and Rocksteady just missed out on their big-screen debuts as

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P&C’s ‘Brimstone’ (2004) a devilishly fun read

For a 700-plus-page doorstop, Douglas Preston and Lincoln Child’s “Brimstone” (2004) is a fun read; you can knock off 100 pages in a sitting without

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‘X-Men’ finale ‘New Mutants’ taps into old story

Fox’s two-decade run of 13 “X-Men” films and two TV series ends in understated and underwhelming fashion with “The New Mutants,” which was originally supposed

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‘Shifting Realities of Philip K. Dick’ (1995) collects odds and ends

Lawrence Sutin follows up his excellent biography of Philip K. Dick, 1989’s “Divine Invasions,” with a peek at his research materials as he curates “The

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‘Teenage Mutant Ninja Turtles’ (2014) takes some getting used to

I’ve probably seen the original “Teenage Mutant Ninja Turtles” more than any other movie (granted, most of those viewings were from 1990-92). That film is

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‘Transmigration of Timothy Archer’ (1982) puts bow on PKD catalog

It’s tempting to think of the last four books Philip K. Dick book wrote – all after his 1974 beam-of-pink-light experience – as his crazy

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P&C plant their feet in Florida for ‘Crooked River’

Douglas Preston and Lincoln Child write what they know, which is no doubt why “Crooked River” (February, hardcover) is their second-straight book set in Florida,

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Lee’s ‘Hulk’ (2003) is as slow and boring as I remembered

Sometimes comic-book yarns are just comic-book yarns, and can’t be molded into something bigger and better through technical mastery. We know this because of director

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‘Cabinet of Curiosities’ (2002) goes back to the museum

Douglas Preston and Lincoln Child hit a turning point with their third Pendergast novel, “The Cabinet of Curiosities” (2002), their only book other than “Relic”

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‘Darkman’ (1990) is Sam Raimi’s DIY superhero

It’s hard to believe now, but in 1990, director Sam Raimi (the “Evil Dead” trilogy) couldn’t get any superhero property to let him make it

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